Stephen burks has been involved in the design of retail interiors, events packaging,斯蒂芬伯克斯一直參與零售室內(nèi)度假村VI設(shè)計(jì)，包裝度假村VI設(shè)計(jì)活動(dòng)，
consumer products, lighting furniture and home accessories.消費(fèi)產(chǎn)品，照明家具和家居飾品。 his client list includes artecnica,他的客戶名單包括artecnica，
B&B italia, boffi, CK (calvin klein), johnson & johnson, missoni, tods group and vitra USA.意大利的B＆B，博菲，對(duì)照（CK卡爾文克萊恩），強(qiáng)生公司，米索尼，tods集團(tuán)和維特拉美國(guó)。
Check his site www.readymadeprojects.com to see some of his work!檢查他的賓館VI設(shè)計(jì)www.readymadeprojects.com看到他的一些工作！
 
 
(Thanks to Designbloom for the tip!) （感謝Designbloom的小費(fèi)！）

Posted in  ,  ,  |  在發(fā)布時(shí)裝 ， 度假村VI設(shè)計(jì)賓館VI設(shè)計(jì) ， 未來(lái)論壇發(fā)布的最新 | 沒(méi)有評(píng)論?
 08年8月14日
 在企業(yè)成功中的作用度假村VI設(shè)計(jì)...
When one considers the term “design” most will conjure an image of a futuristic neon colored chair, an article of clothing, or at the least a shiny new iPhone.當(dāng)一個(gè)人認(rèn)為，所謂“度假村VI設(shè)計(jì)”最會(huì)變戲法的一個(gè)未來(lái)的霓虹色的椅子，一件衣服，或者至少一個(gè)全新的iPhone形象。 Design is something that remains in the realm of “creative” people and is largely ignored by those considering themselves as a corporate type, or businessmen.度假村VI設(shè)計(jì)是東西仍然在“創(chuàng)意”的人的境界，在很大程度上是由那些忽視考慮作為企業(yè)的類型，或者商家自己。 A new Report from Design Management Review sheds new light onto how design and its related processes are beginning to affect a larger audience who can see past the modern chair though.從度假村VI設(shè)計(jì)審查管理上新的報(bào)告揭示了如何度假村VI設(shè)計(jì)及其相關(guān)過(guò)程開(kāi)始影響到更多的觀眾誰(shuí)可以看到過(guò)去的現(xiàn)代椅子雖然新的見(jiàn)解。
A 2007 survey by Kelton Research for Autodesk, a design software company, found that when seven in 10 Americans recalled the last time they saw a product they just had to have, it was because of design.按凱爾頓對(duì)Autodesk，度假村VI設(shè)計(jì)軟件公司，2007年的調(diào)查研究發(fā)現(xiàn)，當(dāng)在10個(gè)美國(guó)人中七回顧了他們最后一次見(jiàn)到一個(gè)產(chǎn)品，他們不得不這樣做，是因?yàn)槎燃俅錠I設(shè)計(jì)。 “This increasing demand for design is shaped by a profound shift in how the First World makes its living. “這是度假村VI設(shè)計(jì)所塑造的需求不斷增加，在第一屆世界如何使得其生活的巨大變遷。 Creativity in its various forms has become the No. 1 engine of economic growth.在其各種形式的創(chuàng)新已成為第一經(jīng)濟(jì)增長(zhǎng)的發(fā)動(dòng)機(jī)。 The creative class, in the words of University of Toronto professor Richard Florida, now comprises 38 million members, or more than 30% of the American workforce.創(chuàng)意階層，在多倫多大學(xué)教授理查德佛羅里達(dá)的話，現(xiàn)在有3800萬(wàn)成員，或超過(guò)30％的美國(guó)勞動(dòng)力。 McKinsey &; Co. authors Lowell Bryan and Claudia Joyce put the figure only slightly below, at 25%.麥肯錫;有限公司作家喬伊斯洛威爾布萊恩和Claudia把數(shù)字只略低于在25％。 They cite creative professionals in financial services, health care, high tech, pharmaceuticals, and media and entertainment who act as agents of change, producers of intangible assets, and creators of new value for their companies” (Neumeier, Business Week).他們列舉的金融服務(wù)，醫(yī)療保健，高科技，醫(yī)藥，傳媒和娛樂(lè)誰(shuí)作為變革推動(dòng)者，無(wú)形資產(chǎn)生產(chǎn)者行為，并為他們公司的新價(jià)值創(chuàng)造者的創(chuàng)意專業(yè)人士“（Neumeier，商業(yè)周刊）。